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Mohammad Ismail Gulgee

By Samina Iqbal

Mohammad Ismail Gulgee

محمد إسماعيل جولجي

Muhammad Ismael Gulgee; Ismail Gulgee; Gulgee

Born 1926 in Peshawar, Pakistan.

Died on 19 December 2007 in Karachi, Pakistan.

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Abstract

Mohammad Ismail Gulgee, known as "Gulgee,” was a self-taught artist with an academic background in engineering. His excellent drawing skills and keen interest in exploring various unconventional materials for his artwork (such as semi-precious stones and metals) established him as international artist from Pakistan and brought him many state commissions of rendering portraits of national and international dignitaries. He is most known for his portraits in oil, mosaics, and abstract calligraphy on canvas, and wall murals. His dedication and hard work earned him a unique and prominent position in the fine arts of Pakistan.

Biography

Gulgee was born in 1926 to an Ismaili family in Peshawar, Pakistan. A bright, studious young man, Gulgee received his engineering degree in 1946 from the prestigious Aligarh University, Allahabad. In 1947, upon receiving an Indian Government Scholarship, he completed his masters in hydraulics from Columbia University, New York. The following year, he earned a second masters in soil mechanics from Harvard University, Massachusetts. During this time, Gulgee developed a keen interest in drawing and painting. With his accomplished academic background in engineering, he was hired as a design engineer by a company in Stockholm, where he held his first exhibition in 1950. Gulgee returned to Pakistan in 1952 and took up a government job to work on the Warsak (Peshawar) and Mangla (Mirpur) Dams. Meanwhile, he continued artmaking and established himself as a portrait painter for elites and dignitaries.

In 1957, Gulgee was commissioned to paint a portrait of King Zahir Shah of Afghanistan during the monarch’s official visit to Pakistan. Zahir Shah was so pleased with the portrait that he invited Gulgee to work in Kabul for nine months. His work in Kabul culminated in a solo exhibition, motivating him to put an end to his engineering career and establishing him as a full-time painter. During his stay in Kabul, Gulgee started to explore unconventional materials such as mirrors, glass, and semi-precious stones like onyx, lapis lazuli, jade, agate, and marble to create mosaic portraits and landscapes. He provided the master stone cutters with outline drawings of shapes according to which various semi-precious stones were carved and pieced together to make large-sized images. Like the use of inlay in Taj Mahal, Gulgee also started using the natural shades of the stones to create the tonal variations in his work. The use of unconventional materials earned Gulgee international fame; royalty from around the world started to offer him commissions. His portfolio includes portraits of many famous dignitaries, in addition to King Zahir Shah (Afghanistan), the first Premier of the People's Republic of China, Zhou Enlai (China), US President Ronald Reagan, Mohammad Ali Jinnah, and Prime Minister Zulfikar Ali Bhutto (Pakistan), Shah Raza Shah Pahlavi (Iran), King Faisal (Saudi Arabia), Prince Karim Aga Khan IV, and Prince Sadruddin Agha Khan.

In the 1960s, the visiting American action painter Elaine Hamilton (1920–2010) profoundly inspired Gulgee, which resulted in acquiring and cultivating his sensibilities for abstract action painting. His abstract action painting developed through his experimentation with calligraphic forms. In addition to his lucrative portrait commissions, Gulgee started to render the Qur’anic verses with vibrant oil colours and dynamic brush strokes on large-scale paintings and murals. His use of bright colours, gold, and silver leaf echoes the use of such material in old manuscripts. His application of thick paint in bold colours with swooping brush strokes became the most iconic work of his later life.

Gulgee also made sculptures in bronze and gilded the spires of the Faisal Mosque, Islamabad, in gold. He was passionate about his art-making processes and always pushed the boundaries of conventional art mediums and techniques. In 2000, he established the Gulgee Museum in Karachi to provide a platform and space for promoting emerging artists and preserving fine art in Pakistan.

Gulgee held numerous exhibitions internationally in Afghanistan, Austria, Canada, France, Japan, Poland, Saudi Arabia, Switzerland, the U.K., and the USA. Tragically, Ismail Gulgee and his wife, Zarine, were murdered in their Karachi home on 19 December 2007.

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Ismail Gulgee, Untitled, 1999, oil and gold leaf on canvas, 74.5 x 150 cm. Mathaf: Arab Museum of Modern Art, Doha.

Selected Exhibitions

Solo Exhibitions

2000

Exhibition at the Ismaili Centre, Croydon, England.

1998

Exhibition at the Ismaili Centre, Cromwell Road, London.

Exhibition at the Pakistan Embassy, Riyadh, Saudi Arabia.

1997

Exhibition at the Pakistan Embassy, New York, USA, inaugurated by Madame Boutrous-Boutrous Gali.

Exhibition at the Royal Academy of Arts, Amman, Jordan.

1994

Exhibition at Commonwealth Institute, London. Inaugurated by Benazir Bhutto.

Retrospective Exhibition at the National Assembly, inaugurated by Prime Minister Benazir Bhutto, Islamabad.

1993

Paintings Exhibition, Meridian International Center, Washington, D.C. USA.

1988

Paintings and Sketches, Indus Gallery, Karachi.

1981

Opening of the Aga Khan Centre Exhibition by Prime Minister Margaret Thatcher, London

1979

Exhibition of Paintings and Mosaics, Arts Council, Karachi.

1975

Murals, Lapis Portraits, King Faisal Medical City, Al-Riyadh, Saudi Arabia

1965

Painting Exhibition, Tehran, Iran.

1962

Private showing of Sketches of President Eisenhower at President House Karachi.

1957

“The Afghans: Painting Exhibition,” Kabul, Afghanistan.

1955

Exhibition of Paintings, Ottawa, Canada

1950

1st Solo Exhibition, Stockholm, Sweden.

Group Exhibitions

2007

Trinity Revealed at Gandhara Art: Sadequain, Gulgee and Naqsh, Hong Kong.

2006

Pakistani Masters Show at Park Hotel, Delhi, India.

1999

Calligraphy Exhibition at Mohatta Palace Museum, Karachi.

1994

Exhibition at Pakistan Headquarters at the U.N., New York, USA

1993

Old Masters Exhibition during SARC Conference at National Art Gallery New Delhi, India.

1987

1st Art Biennial of Pakistan, Alhamra Arts Council, Lahore.

1986

3rd Art Biennial Bangladesh, Shilpa Kala Academy, Dhaka.

1985

5th National Exhibition by Pakistan National Council of Arts, Lahore

1984

Contemporary Asian Prints, Fakuoka Art Museum, Japan.

1983

4th National Exhibition by Pakistan National Council of Arts, Lahore

1982

Paintings from Pakistan, Hirshhorn Museum and Sculpture Garden, Washington D.C, USA.

1981

3rd, National Exhibition by Pakistan National Council of Arts, Islmabad, Lahore and Karachi.

1980

Painting Exhibition, Aga Khan Center, London.

Contemporary Asian Art Show, Fukuoka Art Museum, Japan.

1965

Onyx Mosaic, World Fair, New York, USA

1960

Group Exhibition at the Commonwealth Institute, London.

Awards and Honours

1995

Hilal-e-Imtiaz, Pakistan Government

1990

Sitar-e-Imtiaz Pakistan Government award for the highest degree of service to the state, and for services to international diplomacy (second time, first time awarded in 1982)

1989

Japan Foundation Award, Tokyo

1987

Quaid-e-Azam Award (First Biennale of Pakistan, Lahore)

1970

Pride of Performance- Presidents Award

Keywords

Modern art, Calligraphy, Abstraction, Mosaic, Unconventional material, Portraits, Dignitaries, Commissioned paintings, Abstract Calligraphy, Gestural Painting.

Bibliography

Ahmed, Jalal Uddin. Art in Pakistan. 3rd ed. Pakistan Publications, Karachi, 1964.

Ahmed, Jalal Uddin. Contemporary Painters of Pakistan. Arts Council of Pakistan, Karachi, 1958.

Ali, Amjad. Painters of Pakistan. Idara Saqafat-e-Pakistan, Islamabad, 1987.

Ali, Amjad. Gulgee: Versatile artist.: Idara Saqafat-e-Pakistan, Islamabad, 1984.

Gulgee. Gulgee. Ferozsons, Lahore, 2000.

Hassan, Ijaz Ul. Painting in Pakistan. Ferozsons, Lahore, 1991.

Hashmi, Salima. 50 Years of Visual Arts in Pakistan. Sang-e- Meel, Lahore, 1997.

Mitter, Partha. Indian Art (Oxford History of Art). Oxford University Press, 2001.

Naqvi, Akbar. “Transfers of Power and Perception: Four Pakistani Artists.” Arts and the Islamic World 32, Special Volume: 50 Years of Art in Pakistan, 1997.

Naqvi, Akbar. Image and Identity: Painting and Sculpture in Pakistan 1947–1997.: Oxford University Press, Karachi, 1998.

Sirhandi, Marcella Nesom. Contemporary Painting in Pakistan. Ferozsons, Lahore, 1992.

Sirhandi, Marcella Nesom. “Painting in Pakistan: 1947–1997,” Arts and the Islamic World 32, Special Volume: 50 Years of Art in Pakistan, 1997.